London: During the third Test between England and India last week, Jasprit Bumrah’s bowling shoes and KL Rahul’s shirt were placed in a separate corner of the prestigious Lord’s Museum, which is a home for memorabilia, which detects sports development.“This is a history in action,” Neil Robinson says, Bumrah of Baming Boots, the head of the heritage of the collection in the Merillabone Cricket Club (MCC), got in his five -wicket race and the shirt Rahul wore for his second century here. Then it was the ball that Root caught to break the world record for most of the catches.Go beyond the border with our YouTube channel. Subscribe now!Robinson has been here for 19 years. He claims that only Australian players are active in the museum. They bring their families and friends for an attractive tour one or two days before a Test match. Robinson says, “I do not have a big meaning, but perhaps there is a lack of education about the history of cricket. People are not necessarily reading cricket books.” “But when they come in and see history on performance, it replaces people. This gives them a sense of long history of sports and the importance of their own individual part in it. So you see people donating here after the performance here. ,
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God is aura. You are almost forced to make sure that you are not disturbing the formal tradition of the site. Nevertheless, winds of change are flowing at the place which is the ‘home of cricket’. Recently, British conservative politician Norman Tabbit – he designed to highlight the notorious ‘Tabbit Test’, or ‘Cricket Test’, to highlight the notion that South Asian and Caribbean immigrants and their children did not necessarily have not necessarily supported the England cricket team.
“I don’t think MCC actually took a position on it. It took place in the late 1980s in the early 1980s. MCC was no longer under the control of world sports and English cricket. At that time, the main diversity and inclusion on the desk of MCC was probably the issue of women’s membership,” how the MCC had changed his vision to change its vision. The inclusion was to be on top of the priority list. “For a long time, our focus has been on collecting items related to English cricket. In the last 20 years, the demographic of visitors in London has changed dramatically. Obviously, the demographic of the UK population has dramatically changed in the last 50, 60 years. So we had to react to it.”“People from all over the world think us as a home of cricket. We want everyone who comes to Lord – wherever they are coming – to feel that their cricket culture, their cricketing history, more as someone else. That is why Kapil Dev, Bishan Bedi, Mutiah Muraraltheran and Brian Lars said in the long room.” This is why it now celebrates Sourav Ganguly’s shirtless stunt on the balcony of Lords in 2002, as an effigy protected in the workroom.
“If you talk to the pavilion manager, he will probably tell you that it is not something he wants to see again. But as a museum curator, this is a great story. It is usually on an effigy in the workroom. Tourists are prepared for it immediately because it is a reputed moment,” Robinson mentioned. Robinson refers to the notorious bodyline series to justify the call to go against grains. “There are many things that are in the game that you can say that it should not have been, but they did it. It is part of the history of the game. A classic example would be ‘bodyline’, which ended in a political crack between the two countries. This was not a big deal with geopolitical perspective. Now, this is an important reference point in the history of the game, “Robinson says.God has changed a lot. It is now all modern architecture with modern technology and features. At the same time, MCC is working hard to maintain its early traditions as much as possible, such as maintaining the charm of the pavilion and its old world. God is still trying to be true to be a ‘home of cricket’.
